POETiCA A Journal at the margins
Spring 2013
Important Historical Events by Niall O'Connor
A newspaper headline
in the largest font available
was my first lesson
on how to recognise an historical event.
Then the black and white flicker,
of a man on the moon,
a fallen president,
a speech of a dream.
Embedded we crawled
the word-shingled beach,
watched fireworks displayed
for bloodied civilians dismayed.
Tyrants everywhere were shown
the soles of our shoes
the wrath of our righteousness,
the judgment of our News.
A wall is chipped, a princess killed,
a president signs with twenty gifting pens,
and two towers are folded down
into the ground,
a child is born and a woman says no
. . . and expects it so.
As for important historical events . . .
a farmer in Colombia receives a text
on the price of coffee
and has time to tell stories,
that allow his children to dream
and a bee dips into a flower,
so the last seed
can be born.
Integration by Niall O'Connor
I am the outsider,
the stranger,
the invader.
I come because it is what I want.
I come because I have nowhere else.
I come because my desire has made me
a stranger in my parents' home.
I will never be as you,
but my children's children
will look back and yearn
for what was once their promise.
I will be disinherited,
so they can be my gift,
and I will become an object
of curiosity, pity, and scorn.
I will work, or not work,
lie and falsify all my life
to fit the twisted forms
you place before me,
and when you have finished,
I will not know who I am
or where I have come from:
for this is your demand.
One Night Stand by Mepa Taufa-Vuni
We met through Johnnie Walker and Jack Daniel,
Over loud music and over crowded room of party people,
Paris perfumes enveloped our senses for the night,
Smokes swirled over the ceiling as the forgotten lizard lazing on top,
You stood tall towering over, watching, scanning, skimming I assumed,
I heard from others you are womaniser, a lady-killer, I mused.
A voice so seductive like the softness of the waves caressing the sands,
I melted like a candle hearing those similes flowing easily from your lips,
You are so beautiful like the red rose outside my house, you said smiling,
My knees were like jelly wobbly, trembling over the recited metaphors,
You are the stars stolen by your mother from the sky, you said laughing,
I cried for I am a lady, an innocent girl not knowing your tales, your trap,
I became your star for one night, your red rose, my one night stand.
Over the years, you grow with me, a one beautiful night stand,
Smokes swirled over the ceiling as the forgotten lizard lazing on top,
Have you wondered what happened to us on that night, my one night stand?
You stood tall towering over, watching, scanning, skimming I assumed,
Can you see your eyes smiling back, a reflection of my own brown eyes?
I heard from others you are womaniser, a lady-killer, I mused,
Through John Walker and Jack Daniel we met, dazed by the Paris perfumes,
You painted my night with your similes and metaphors, my one night stand,
You gave me a STAR adorned with endless heliaki, my one night stand.
IN SARASOTA by Ben Howard
Though prose exceed itself it cannot make
these turnings of the singing English line
nor tell its tale in rhythms that embark
on marvelous adventures of their own.
This morning, here in brilliant Sarasota,
the breakers are reminding me of phrases
played hastily, as if to meet a quota,
while, clad in caps and shorts, the early risers
traverse the beach for exercise or pleasure.
Prose is like their solitary walking,
their search for shells and unexpected treasure,
which sometimes satisfies their earnest seeking
and sometimes not. But verse is like those gulls
arising suddenly to soar or glide
in graceful arcs or slow, contracting circles,
as though their flights were emblems of their need.
CLOON by Ben Howard
Cluin: meadow
How well it imitates, this Irish word,
a meadow where the phlox have gone to seed
and all that was in bloom is now in states
of gray decline and imminent decay.
Forgive me if I savor for a while
that one untainted melancholy vowel
and relish as they pass those consonants
that call to mind the brittle milkweed pods,
the sturdy grass, the stalks as yet unbroken.
My Madness, Me... by Afzal Moolla
Confined by this straight-jacket,
strapped in, numb and dumbed,
a washed-out, has-been, also-ran,
body, eyes, the equilibrium of mind,
rattling like stones in an old tin-can.
Still, I am,
I am,
and I am unchained,
my dreams taking flight, soaring,
above these claustrophobic walls,
of synapses, and dungeons of stone,
swooping through green valleys,
taking a detour to savour the joys,
soaked in torrential, evergreen memories,
of a younger man, with passion in his bone.
I am.
My wings unclipped, unshackled, free,
I am, and though I am unable to see,
I am.
At long last,
me.
I Sleep In The Rain by Allison Grayhurst
Lead by guilt - the fire seed
that begins with planting a new house.
Figures flay over the cold windows,
charming the fury of adjustment and opening wide
the shape of good wishes and engulfing beginnings.
The birth that contains death like the death
that brings rebirth – these are thing rarely told
and when told, always told as though
taken for granted. The sermon, the singing
of all that comes hard to wake us
hard and beautiful.
Human in the void, in the faith that trees know
and a snail that moves across a busy road.
Love sometimes lacks its light, but is a stronger
love when shadowed because it excavates
below smiles and kind affection. Love that is like
ice, sharp - turning the outsides in
is in the air, sleeping but visible.
Haggling for Holy Water by Tiesha Twomey
I’d bartered with my cousin at Easter,
a few three-ounce bottles in exchange
for both ears off my chocolate bunny
and a handful of jellybeans.
I thought it was a bargain in exchange
for the promise of eternal salvation.
My mother was not pleased
to return home near dawn, to find me,
spinning around and around that way.
Did she recognize I was emulating
her movements? I’d recently fallen in love
with the way she applied her favorite fragrance
before going out, captivated by that ritualistic
application. I mimicked how she sprayed
a mist of perfume into the air, then twirled
through it, like some ethereal ballerina,
emerging from a cloud made of blossoming
lilacs. I revolved as if I was a devout
electron passing endlessly around
a divine nucleus, on some sacred orbit,
all the while sending a steady stream
of holy water through every room.
I pretended I was a sacred sprinkler
system, sent directly from God
as I spun until I was too dizzy to stand.
I had already doused the curtains,
the walls, and her well-worn chaise lounge.
Emptying the contents of the first three
cross-enameled bottles long before
she came through the door, her jaw
clenched under bloodshot eyes
trying to focus on me as I tried to lose speed,
maintain balance and meet her glare.
I grew unsteady, inadvertently mimicking
the way she looked now, coming home
swaying and wobbling after a long night
of dancing and quenching her infinite
thirst. Gravity was just pulling at the crystals
of calcium carbonate in my ears. So the nerves,
they weren’t firing right. I didn’t know that then,
the science behind my own shaky legs. I figured
this could be what happened at the bar,
imagining a room full of divorced women,
pirouetting in the darkness. I tried to tell her
I was only driving away the evil spirits,
but she just roared, as if already possessed.
Later, I pressed my ear against the bedroom wall
bordering the kitchen. I overheard her slurring
cuss words from the rotary phone, telling someone
from my father’s side, that they were all a bunch
of goddamned lunatics. She hollered that I’d been
brainwashed. I stood in front of my full-length mirror
sideways, awkwardly angling my keychain-
flashlight, with my head twisted
to the side, trying to steal a glimpse of my mind
through my ear. I’d never seen it washed clean
before and was trying to catch the way
something glints after you’ve scrubbed it
enough, figuring that even gray matter
could shine if it was truly spotless.
All I could see was my outer ear blushing
and a droopy earlobe which casted a shadow
on my collar while my ear canal, spiraled
into obscurity. I didn’t know how I was going
to save my mother from the demons on their way.
She’d never been baptized. In a last ditch attempt,
I decided that I would try to wash her in the blood
of the lamb myself. I was all out of holy water.
All she had was one more of box of white zinfandel.
After hoisting it over her head,
I let the cardboard container hang there
for a moment, like a comic book thought balloon,
picturing it full of Z’s as she snored. I thought
of how many things, didn’t make sense to me.
Who decided that the succession of that letter
would be the onomatopoeia denoting sleep?
I listened to my mother’s breathing become heavier,
sounding more like a series of R’s crumbling deep inside
her throat, or the shuddering of an old bicycle chain
left out in the rain one too many times.
I wondered if lungs could get rusty,
just wanting it to stop when I finally twisted
the spigot counter-clockwise. Suddenly,
she was gasping sharply under the blush–hued
jet of the wine, as I summoned Jesus Christ
and made a cross between her eyes
growing wide in disbelief.
Leech at the Base of a Beech Tree by Teisha Twomey
It was not always this way. Scavenging for dead bullhead
a fisher may have left behind and feeding off sickened
bullfrogs that are dying on the banks.
We had colonies that washed along these shores, currents
that carried us along, or else we curled up like pill bugs
and rolled down the hill to hunt in the leaf litter.
We held out, and waited for something worthy
to drink from the stream, for the warm folds
we would find behind the velvet ears of lambs
or young deer, all with blood as sweet maraschino cherries.
Now during the dry seasons we burrow
and live off these memories of nourishment.
When we do hunt, the most we can hope for
is a muddy puddle, to find a tadpole or salamander
in some vernal pool of muck, to try to suck their cool blood.
But today, writhing here at the base of this beech tree.
I can hear the five new wrens hatching and begin to
salivate at the prospect of the sibling rivalry
birds are famous for. I can almost picture the weakest one
as it’s pushed and its pink, hollow-boned body hits
the forest floor, still balmy from the warmth of its siblings.
How I would find the crevice between its wing and body
or it’s warm underside to fasten myself at its thickest vein,
all three hundred and sixty of my teeth sunk deep, and scissoring.
I might feel the hatchling’s heart skip a beat, seize as the blood
is re-routed, and begins to flow backwards, so drunk
on plasma and hemoglobin, I’d swell like a thumb hit
with a hammer, turning purple as a grape ready to burst.
I’d sap every last drop of life out of the wren, while it was still fresh.
Only then as I detached, rolling into my most protective position,
you might see the deep emerald eggs I am carrying at my belly,
the ones you hadn’t noticed before but perhaps you might understand
now, as I retreat carefully back underground, much gentler.
folly by Fraser Mackay
any man can lose his hat in a fairy wind. Irish Proverb
the alchemist cleaves into
the morning’s minutiae
ruminates on the day
snatches his hat
from the tempest
light plays the straw bed
glares off shade-sail
lines curve away
he squints
into the troubled sky
disembodied images
drift up from the well
with rocks and damp earth
he again packs the opening
one mouth less…
(in her eyes she had already left)
a cracking sheet of wind
hurls across the treetops
third time this week
the lashing rain
chased him indoors.
new rock by Fraser Mackay
I want a new rock
endowed with
generous facets
and a mind
not easily
moved
by knowledge
and the weight
of its own
importance
I want
your glass ideals
to shatter
in disbelief
across this
broken
avenue
of our
dead
future.
The Last Time in the Woods by Timothy Gager
she found the view of the treetops spectacular,
said, You’re not the only one who knows
about suicide, showed me her wrists,
The scars can hardly be seen. Mine are
from a day twenty years ago,
I found a friend hung from a pipe,
so I never looked back or up again.
In the woods today, she saw the sky
reaching to heaven strong branches.
Wiping the twigs from her skirt,
the needles from her arms, asked
What do you think God does?
I told her He took on everything that
she doesn’t want. “Turn it over”, please,
as the saying goes, make love to me
one more time. I’m scared
there is nothing, afraid where we’re heading,
as we drove a few hours the car clung
to the curves in the road, You can drop me
off at my house; the last thing I heard. He
found her in the tub filled with water
and blood.
She is with Me,
He said. She is safe.
Rose Hills by Kevin Ridgeway
much of my family is buried at Rose Hills,
but not all of them together
we have to hike up a canyon of skeletons
to visit each one in their respective
corners of a country club for the dead,
its rolling green lawns host grass that hides
their names and dates
mud prints from tractors cross grandpa’s headstone
and Uncle Bill’s American flags are mashed
into the earth, broken sticks and confetti of
red, white
and blue
my grandfather’s ashes lurk
in the soil among the fertilizer thousands
beneath a trail of grim bushes that form up
toward the graves of lost children,
where my cousin rests after
his heart exploded when a
baseball went through his chest
during little league;
you can see the Los Angeles skyline
from each of these spots
a living breathing postcard for mourners
that in grief you want to write a thousand
eulogies on the invisible back of
and send to every single person
still living in this world,
but the post office does not have
stamps larger than skyscrapers
reflection 42 by Scott C. Kaestner
don’t get me wrong
older & wiser is righteous
but so too was the fallacy
of invincibility,
now skin shed long ago
as it turns out, eternity ain’t that easy
trying to recreate things
that have vanished forever
sad revelations,
that we are not
here to stay
as it turns out, eternity ain’t that easy
youth is wasted on the young
& young at heart only fosters
the magic,
until aforementioned heart
stops the beat
as it turns out, eternity ain’t that easy
sure as shit pain is real
& ordinary,
but that’s just distraction
the point at hand is
time could care less
as it turns out, eternity ain’t that easy
to struggle is simply to live
no choice,
other than sunny side up
make the free-fall fun
for we’re all fucked
as it turns out, eternity ain’t that easy
The Portal (a haibun) by Marie Lecrivain by Marie Lecrivain
It's a hot September afternoon. The poetry hosts, in defiance of suburbia, have turned their backyard pool into a koi pond. Springboard, children, and the smell of chlorine have been replaced with lotus, fish, and the soothing undertone of algae.
Entranced, I bend down to admire the interwoven streaks of minnows just below the surface of the water. I hear a soft splash. The white head of a koi, with quivering whiskers and curious silver eyes, has surfaced.
I have nothing to offer the koi, and yet, it waits. I admire the way it’s able to traverse the border between the watery world where it belongs and the airy world where I reside. I think of you; how the invocation of your name summons you to my mind's eye. In a flash, like the koi, you are there. Each time, I have nothing to offer, nothing to say.
The koi submerges into the shadows of the deep.
the portal
between you and me
is now closed
CIVIL WAR by Michael Whelan
Under the surface
the streetlights still swim
in the mirror of a black glass river.
All the birds have vanished,
their perches destroyed
as battles rage
through the broken city.
Their songs are silent
only to return
when the last gun has left,
the last bullet spent,
the ground wounded and bleeding.
Only then can they pick over
the carrion of civility.
KHAMSIN WINDS by Michael Whelan
She lies in cold mourning under heated breaths.
Row on row the streetlight halos gather thoughts
and eyes to see the hands of those who lived here once.
Death is preying in her streets again
crying towards the night.
This city, this church, this perfect cathedral
is but a crypt under the corbelled roofs of passage tombs
and pyramids to the past.
The charnel pillars that hours before cooked breakfast,
opened shops, brought children to school
are waiting for the Khamsin winds to come,
to bury their ashes in desert sands,
carry the embers to heaven.
With those who built these walls
they are ascending always an illusion to the future,
only the present will speak their names,
only that which they create might linger to see the dusk,
the shop front windows reflect the dying sun
like daylight mirrors reminding their ghosts of yesterdays
and the promise of tomorrows.
What to wear to the dustbowl by Elizabeth Cohen
Here is my last notebook
on how to survive the apocalypse
I wrote it in high calorie pineapple ink
you can lick if you get desperate
I have attached a vial of sunflower
essence you can rub on any wound
I’ve outlined the best spots to hit up
after a meteor
Which tea is best
in the event of a nuclear meltdown
How to combat an attack of raging
squirrels
There is much you should know
for when the moon falls out of orbit
For when the snow continues
all summer and when the rain disappears
It is all about
proper storage of warm embraces
A large cache of kisses
for after the revolution
When they have outlawed
all human affection
That secret stash of olive oil
somewhere in the mountains
Most important, the wardrobe:
waterproof gear for the flood
Snowshoes for the freeze
pyjamas and jellybeans for the aliens
The importance of aprons
in the event of a dustbowl
extra towels to cram in the cracks
and flowers
You must always keep
a flowers and flower seed around
Research shows
after an earthquake
They
can be
The only thing
that saves you
First published in China Grove.
Daniel Shays Discusses Subprime Lending by Victor D. Infante
Watch the grafter, laying cards on the table:
The first is a rumbling of war, waft of gunsmoke in the air.
Second, a bank with an open wound, coins clattering as they spill.
Third, a dream kept safe in a metal box at the bottom of the closet.
The dealer looks like a politician, speaks like the evening news.
He speaks of baseball scores and weather while he shuffles.
As it always was: gun-weary soldiers in tattered uniforms;
farmers tilling dust for anemic potatoes; three-card monte marks
pricking fingers for blood to sign mortgages in languages
for which there is no Rosetta Stone; listening to patter
when they should be watching the dealer’s hands;
ante stone and wood against picked pockets and wind.
Ask charity and the senators will hand you fallow earth,
their gold spent patching the banks and stoking the war.
Ask justice and the law will whimper like a kicked dog,
no crime recorded amid the sheaths of empty deeds.
Listen to the catechism of rulers and ruled:
What you thought was parchment was only rice paper.
What you thought was a deed was forged in invisible ink.
What you thought was a promise is simply spilled blood.
Your house becomes the center of the storm.
Crucified by John W. Sexton
In the alleyway you find yourself crucified to thin air;
then you realise you are on a soft wheel,
going nowhere.
The wheel has no need to turn, for everything
travels to the wheel:
dew, light, (sunlight, moonlight,) rain; and you.
You tremble in its fragile spokes; then sleep,
sleep.
Your eyes have closed on the shape of his face:
the eight darkened lens of his glasses,
the silken door of his mind
Notes towards an Xbox Poem by John W. Sexton
When you step into the A Box you begin to exist and everything you were before is forgotten.
So in beginning to exist, you also die.
In the B Box you get stung all over your mind until your thoughts swell into stars and start to
burn the night white.
In the C Box you become blind.
In the D Box you are rendered deaf, dire, diseased, disastrous, dopey, doolally, delirious,
dead.
In the E Box you feel utterly small, insignificant, in the corner.
In the F Box you get told off. How dare you! We don’t use that kind of language in here!
Wait until I tell your mother!
Opening the G Box is as far as you get.
